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Singing Bowl Five Buddha Design

Regular price £7595
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21cmacross the rim
1.5kgweight in the hand
Aluminiummetal
Estimated delivery: …
United KingdomShips from the UKTaxes & duties included

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A dark, engraved aluminium singing bowl for those moments when a room needs a clear centre. Its weight gives it presence before it is played, while the Five Buddha design turns it into a sculptural object as well as a meditation instrument.

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What you need with it

What it is

An extra loud singing bowl from India, engraved in a dark finish and made to fill a room. The Five Buddha motif sits on the base among fine symbols.

Why people choose it

  • Extra loud A sound that fills a room.
  • Five Buddhas On the base of the bowl.
  • Dark engraved finish Engraved detail worked into the surface.

How to use it

  1. 1

    Rest it flat on your palm or a cushion

  2. 2

    Strike the rim once, lightly

  3. 3

    Circle the outer rim slowly with the wooden side of the striker

Care: Keep dry, soft cloth. Brass darkens to a patina. Dents change the sound.

Customer reviews

6 reviews of this piece

  • ★★★★★ M.

    these are absolutely incredible!

  • ★★★★★ J.

    Excellent quality and service

  • ★★★★★ J.

    Nice quality item

  • ★★★★★ J.

    Excellent quality

  • ★★★★★ J.

    Nice bowl just paintwork not brilliant

  • ★★★★★ D.

    I found the singing bowl fantastic just need to lightly touch it and the sound was, all I can say is that it sung to my heart value for money I used in a class and they all felt the vibration

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Complete your ritual

A few things often kept alongside this piece.

About this product

The dark engraved bowl
  • The finish has a deep brass-toned look, bringing warmth to the carved surface.
  • Engraving covers the bowl with symbolic detail, so it feels considered from every angle.
  • The Five Buddha motif sits at the base, giving the piece a strong focal point when viewed from above.
  • Its substantial feel suits a dedicated shelf, meditation corner, yoga space or quiet room.
  • The visual language is bold rather than minimal, made for someone who wants the bowl to hold attention even when silent.
Playing and sound

A singing bowl is played by striking it gently or by working steadily around the rim with a suitable striker. The second method takes patience: even pressure and a slow pace allow the metal to vibrate and the tone to build.

This bowl is extra loud, so it is best suited to spaces where a fuller sound is welcome.

Aluminium, engraved in India

Made in India, it belongs to SHAMTAM’s Tibetan Singing Bowls range. The bowl is formed from aluminium and finished in a dark brass tone, with engraved decoration adding texture, shadow and visual depth. It is best understood through what can be stated with confidence: metal, finish, weight, origin and design.

Using it with care

Place the bowl on a stable surface before playing, or hold it securely on a flat palm if you are practising rim technique. Start softly, then let the sound open at its own pace.

Keep it dry and wipe with a soft cloth after handling. Avoid abrasive cleaners, as they may dull the finish or catch in the engraved detail.

The Five Buddha motif

The Five Buddhas are associated with Tibetan Buddhist iconography, where they are often understood as a group of symbolic figures linked with wisdom, direction and contemplative practice. On a singing bowl, this imagery gives the instrument a visual centre as well as a sonic one. Many people use bowls to mark the beginning or close of meditation, yoga or quiet reflection, letting the sound create a simple boundary around a moment of attention.

Weight and details
  • Product type: singing bowl
  • Material: aluminium
  • Finish: dark brass-toned finish with engraved detailing
  • Motif: Five Buddha design at the base
  • Origin: India
  • Weight: 1500 g

Common questions

Does it have a specific musical note?
Singing bowls can vary in pitch, so choose this one for its presence, design and fuller sound character rather than for a measured note.
Is rim-playing easy straight away?
It can take a little practice. A steady hand, light pressure and a slow circular movement around the rim usually give the metal the best chance to begin resonating.