Singing Bowl Moon Phase Indian 13cm

Copper and tin, shaped into a bowl 13 cm across and weighing 550 g, substantial enough to sit steady on a flat surface, light enough to rest on an open palm. The moon phase engravings circle the outer wall in a repeating pattern, each phase rendered in clean lines against the warm, slightly muted tone of the metal. It is a considered object before it is anything else.

The bowl itself

• The engraved moon phases run around the outer wall, new moon through full and back, a continuous cycle in the metal.
• At 550 g, it has real presence in the hand: not so heavy it is awkward, but weighted enough to feel grounded on a cushion or a wooden surface.
• The copper-and-tin alloy gives the surface a warm, slightly reddish tone, distinct from the brighter yellow of brass bowls.
• The rim is smooth and even, which matters for the rubbing technique, a consistent edge allows the striker to travel without catching.
• At 13 cm in diameter, it sits comfortably on a desk or a low shelf without dominating the space around it.

Sound and playing

A bowl of this diameter and weight produces a mid-range tone with reasonable sustain when struck. The rubbing technique, running a wooden striker steadily around the outer rim, takes patience to learn; the tone builds gradually as friction sets the metal vibrating. Copper-and-tin alloys tend toward a warmer, rounder sound than pure brass, though the exact pitch varies between individual bowls of the same size.

Craft and origin

Made in India, where metalworking traditions for ritual and domestic objects stretch back centuries. The moon phase decoration is worked into the outer surface, giving the bowl a dual character: a functional instrument and a sculptural piece that holds its own on a shelf. In Himalayan Buddhist practice, singing bowls have long marked the rhythm of a sitting, a single strike to open, the fade to close, though this bowl's iconography draws on the broader symbolism of lunar cycles, which appear across many contemplative traditions as a way of marking time and change.

Practical use and care

Rest the bowl on a flat surface or a cushion before striking or playing the rim. For the rubbing technique, use a wooden striker and apply slow, even pressure around the outer edge, the tone needs a moment to build. Keep the bowl dry; copper-and-tin alloys can develop a patina over time, which many people find adds character, but if you prefer the original finish, wipe it occasionally with a dry cloth and store it away from damp.

Size and details

13 cm in diameter, 550 g. Made in India from a copper and tin alloy, with engraved moon phase decoration on the outer wall. A striker is not included in the verified product details, please check the listing for what is supplied.

A considered gift

It suits someone who meditates, practises yoga, or simply appreciates a well-made object with a quiet presence. The moon phase engraving gives it a personal quality that makes it feel chosen rather than generic.

Common questions

Is a striker included?
The verified product details do not confirm a striker is included. Please check the listing before purchasing if this matters to you.

Will the metal change colour over time?
Copper-and-tin alloys do develop a natural patina with age and handling. This is a normal characteristic of the material. A dry cloth wipe after use will slow the process if you prefer to keep the original tone.

Is this bowl suitable for a beginner?
The struck tone is straightforward from the first use. The sustained singing tone, produced by rubbing the rim, takes practice, steady pressure and patience are needed before the sound builds reliably.